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A radical Afrofuturist vision; a tour de force of psychic dread; a harrowing portrayal of drug addiction; a spellbinding take on an enduring myth; a maverick director’s first three films; and a chilling immersion into a twisted psyche.

Three personal and panoramic family portraits from writer-director Mike Mills—Beginners, 20th Century Women, and C’mon C’mon—presented together for the first time

A scorching tale of toxic love in a toxic world from Nagisa Oshima, one of the most radical voices in the history of Japanese cinema

Hlynur Pálmason’s wise, funny portrait of a fractured family surveys love’s changing seasons with quiet mystery and poignancy